The dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases. There are no descriptions of time, place or persons, in the Sophist and Statesman, but...

Some dialogues of Plato are of so various a character that their relation to the other dialogues cannot be determined with any degree of certainty. The Theaetetus, like the Parmenides, has points of similarity...

The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both...

"Plato's Phaedo is one of the great dialogues of his middle period, along with the Republic and the Symposium. The Phaedo, which depicts the death of Socrates, is also Plato's seventh and last dialogue...

The Apology is Plato's version of the speech given by Socrates as he defended himself in 399 BC[2] against the charges of "corrupting the young, and by not believing in the gods in whom the city believes,...

The Symposium (Ancient Greek: Συμπόσιον) is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the...

"In Plato's ION, Socrates questions Ion, whether he should really claim laud and glory for his 'rhapsodic' recitals of Homer's poetry. —Description by Simon-Peter Zak"

Awaiting his trial on charges of impiety and heresy, Socrates encounters Euthyphro, a self-proclaimed authority on matters of piety and the will of the gods. Socrates, desiring instruction in these matters,...

Plato (428/427–348/347 BCE) was a Greek philosopher and mathematician of the Classic Age who founded the Academy of Athens. Noted as a student of Socrates, Plato has distinguished himself as one of the...

The Protagoras, like several of the Dialogues of Plato, is put into the mouth of Socrates, who describes a conversation which had taken place between himself and the great Sophist at the house of Callias-'the...

Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises...

In other dialogues of Plato, as well as in the Republic, there are to be found parallels with the Laws. Such resemblances, as we might expect, occur chiefly (but not exclusively) in the dialogues which,...

Of all the works of Plato the Symposium is the most perfect in form, and may be truly thought to contain more than any commentator has ever dreamed of; or, as Goethe said of one of his own writings, more...

Of all writers of speculative philosophy, both ancient and modern, there is probably no one who has attained so eminent a position as Plato. What Homer was to Epic poetry, what Cicero and Demosthenes...

The Euthydemus, though apt to be regarded by us only as an elaborate jest, has also a very serious purpose. It may fairly claim to be the oldest treatise on logic; for that science originates in the misunderstandings...

THE Republic of Plato is the longest of his works with the exception of the Laws, and is certainly the greatest of them. There are nearer approaches to modern metaphysics in the Philebus and in the Sophist;...

The search after the Statesman, which is carried on, like that for the Sophist, by the method of dichotomy, gives an opportunity for many humorous and satirical remarks. Several of the jests are mannered...

The dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases. There are no descriptions of time, place or persons, in the Sophist and Statesman, but...